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This book provides a comprehensive history of music and liturgy at Worcester Cathedral, from its foundation in the seventh century to the mid-20th century. The author delves into how political shifts, public opinion, and national trends have influenced changes in the cathedral's practices over time, while also highlighting the distinct local dynamics at play.
The shift back from quasi monochrome to coloured motion picture during the 1950s and 1960s famously provided moviegoers the dazzling opportunity to more fully engage their senses, all the while opening new modes of affective possibilities for filmmakers. Set against the intersection of media studies, emotion theory, biology, and digital humanities, Feeling Colour: Chromatic Embodiment in Film Culture (1950s-1960s) delves into the role colour played in the oft-fraught relationship between cinema and its audiences. This transnational analysis of an extensive range of midcentury cinematography examines the multilayered effects which extend beyond the silver screen, offering a high-level theoretical elaboration and in-depth historical exploration of both experimental and mainstream movies.
The discipline of world literature has traditionally focused on written literatures, particularly the novel, with little emphasis placed on the unwritten verbal arts, despite the significance of oral literary expressions around the world, in the past as in the present. This volume redresses this gap by putting the discipline of world literature into dialogue with scholarship on orature and folklore. It asks, what does world literature look like if we start from orature, from oral texts and utterances, and from the performances and audiences that support it?
Meta-Xenakis offers readers a comprehensive collection of insights into the history, works and legacy of Iannis Xenakis, one of the twentieth centuryâs most significant creative figures. It presents a transcontinental engagement with his life and output, focusing as much on the impact of the questions he posed as on the accomplishments of his body of work.
RÄgs Around the Clock is a rich and vibrant compendium for the discovery and study of North Indian classical music. The theory and practice of rÄg are explored through two interlinked resources: a handbook of essays and analyses offering technical, historical, cultural and aesthetic perspectives; and two online albums â RÄg samay cakra and Twilight RÄgs from North India â featuring khayÄl singer Vijay Rajput and accompanists.
This volume presents a sophisticated and intricate examination of the parallels between Sanskrit and Greco-Roman literature. By means of a philological and literary analysis, Morales-Harley hypothesizes that Greco-Roman literature was known, understood, and recreated in India. Moreover, it is argued that the techniques for adapting epic into theater could have been Greco-Roman influences in India, and that some of the elements adapted within the literary motifs (specifically the motifs of the embassy, the ambush, and the ogre) could have been Greco-Roman borrowings by Sanskrit authors.
The composer Sir James MacMillan has often referred to music as âthe most spiritual of the artsâ, and for many people, regardless of religious affiliation, this rings true. In listening to music, we are drawn to dimensions of human experience beyond the material. This collection brings together leading scholars from various disciplines â including Christian theology, musicology, and psychology and neuroscience â to interrogate the intimate relationship between music and spirituality.
This book features recent research on the psychology of music from the Western Balkans, foregrounding its specific topics, methods, and influences by bringing it into productive conversation with complementary research from Western Europe and further afield.
In only 50 years, from the 1870s to the early 1920s, Japanese people laid the foundations for the countryâs post-war rise as a musical as well as an economic power. Meanwhile, new types of popular song, fuelled by the growing global record industry, successfully blended inspiration from the West with musical characteristics perceived as Japanese.
This book contributes presenting examples of artistic research projects that are embedded within Higher Music Performance courses at universities and conservatoires across Europe.
This major new anthology of the minuet in the Nordic countries comprehensively explores the dance as a historical, social and cultural phenomenon. One of the most significant dances in Europe, with a strong symbolic significance in western dance culture and dance scholarship, the minuet has evolved a distinctive pathway in this region, which these rigorous and pioneering essays explore.
This edited volume brings together contributions from a wide range of international academics and practitioners. It traces innovations within classical music practice, showing how these offer divergent visions for its future. The interdisciplinary contributions to the volume highlight the way contrasting ideas of the future can effect change in the present.
In this rich memoir, the first of two volumes, Paul Farmer traces the story of A39, the Cornish political theatre group he co-founded and ran from the mid-1980s to the early 1990s. Farmer offers a unique insight into A39âs creation, operation, and artistic practice during a period of convulsive political and social change.
Music in Evolution and Evolution in Music by Steven Jan is a comprehensive account of the relationships between evolutionary theory and music. Examining the âevolutionary algorithmâ that drives biological and musical-cultural evolution, the book provides a distinctive commentary on how musicality and music can shed light on our understanding of Darwinâs famous theory -- and vice-versa.
Building on her earlier work, 'The Power of Music: A Research Synthesis of the Impact of Actively Making Music on the Intellectual, Social and Personal Development of Children and Young People', this volume by Susan Hallam and Evangelos Himonides is an important new resource in the field of music education, practice, and psychology.
In Performing Deception, Brian Rappert reconstructs the practice of entertainment magic by analysing it through the lens of perception, deception and learning, as he goes about studying conjuring himself.
This innovative work considers the notion of bel canto and the manner in which this vibrant tradition lives in the records of Luisa Tetrazzini (1871-1940), one of the most celebrated sopranos ever. Tetrazzini, whose discographic career includes about 120 recordings, belongs to that generation of inspirational performers who heralded the dawn of a new era of music appreciation, alongside such iconic figures as Enrico Caruso, Adelina Patti and Nellie Melba.
In A Philosophy of Cover Songs, P.D. Magnus demonstrates that philosophy provides a valuable toolbox for thinking about covers; in turn, the philosophy of cover songs illustrates some general points about philosophical method.
Este libro pionero examina el desarrollo de La Red de Escuelas de MĂșsica de MedellĂn, una red de 27 escuelas fundada en 1996 en la segunda ciudad principal de Colombia como respuesta a su reputaciĂłn como la ciudad mĂĄs peligrosa en la Tierra. Inspirada en El Sistema, el programa venezolano fundacional de educaciĂłn musical, La Red es, no obstante, notablemente diferente: su historia es una de mĂșltiples reinvenciones y de una bĂșsqueda continua para mejorar su oferta educativa y alcanzar mejor sus objetivos sociales. Sus reflexiones internas e intentos de transformaciĂłn arrojan luz valiosa sobre el pasado, el presente y el futuro de ASPM.
In Auld Lang Syne: A Song and its Culture, M. J. Grant explores the history of this iconic song, demonstrating how its association with ideas of fellowship, friendship and sociality has enabled it to become so significant for such a wide range of individuals and communities around the world.
Epidicus, a light-hearted comedy by Plautus about the machinations of a trickster slave and the inadequacies of his bumbling masters, appears here in both its original Latin and a sparkling new translation by Catherine Tracy. Epidicus, the cunning slave, is charged with finding his masterâs illegitimate daughter and the secret girlfriend of his masterâs son, but a comedy of mistaken identities and competing interests ensues. Amid the mayhem, Epidicus aims to win his freedom whilst risking some of the grislier punishments the Romans inflicted on their unfortunate slaves.
How can we better understand the past, present and future of Social Action through Music (SATM)? This ground-breaking book examines the development of the Red de Escuelas de MĂșsica de MedellĂn (the Network of Music Schools of MedellĂn), a network of 27 schools founded in Colombiaâs second city in 1996 as a response to its reputation as the most dangerous city on Earth.
This kaleidoscopic collection reflects on the multifaceted world of classical music as it advances through the twenty-first century. With insights drawn from leading composers, performers, academics, journalists, and arts administrators, special focus is placed on classical musicâs defining traditions, challenges and contemporary scope.
In this fascinating collection of essays, an international group of scholars explores the sonic consequences of transcultural contact in the early modern period. They examine how cultural configurations of sound impacted communication, comprehension, and the categorisation of people. Addressing questions of identity, difference, sound, and subjectivity in global early modernity, these authors share the conviction that the body itself is the most intimate of contact zones, and that the culturally contingent systems by which sounds made sense could be foreign to early modern listeners and to present day scholars.
Chronicles from Kashmir explores this question through a site-adaptive 24-hour theatrical performance. Developed between 2013 and 2018 by the Ensemble Kashmir Theatre Akademi and Nandita Dinesh, the play uses a durational, promenade format to immerse its audience within a multitude of perspectives on life in Kashmir. From a wedding celebration that is interrupted by curfew, to schoolboys divided by policing strategies, and soldiers struggling with a toxic mixture of boredom and trauma, Chronicles from Kashmir uses performance, installation and collaborative creation to grapple with Kashmirâs conflicts through the lenses of outsiders, insiders, and everyone in between.
From âfolk devilsâ to ballroom dancers, Waltzing Through Europe explores the changing reception of fashionable couple dances in Europe from the eighteenth century onwards. It is essential reading for researchers of dance in central and northern Europe, while also appealing to the general reader who wants to learn more about the vibrant histories of these familiar dance forms.
Through the theme of âannunciationsâ, this volume interrogates how, when, why, through and to whom God communicates in the Old and New Testaments. In doing so, it tackles the intimate relationship between Scriptural reflection and musical practice in the past, its present condition, and what the future might hold.
Since August 1969, the Woodstock Music and Art Fair looms large when recounting the history and impact of the baby boom generation and the societal upheavals of the Sixties. Scholars study the sociological, political, musical, and artistic impact of the event and use it as a cultural touchstone when exploring alternative perspectives or seeking clarity. This interdisciplinary annotated bibliography records the details of over 400 English-language resources on the Festival, including books, chapters, articles, websites, transcriptions and videos. Divided into six main subsectionsâCulture & Society, History, Biography, Music, Film, Arts & Literatureâfor ease of consultation Woodstock Scholarship sheds light on all facets of a key happening in our collective history.
Nandita Dinesh places Kiplingâs "six honest serving-men" (who, what, when, where, why, how) in productive conversation with her own experiences in conflict zones across the world to offer a theoretical and practical reflection on making theatre in times of war. This timely and important book weaves together Dineshâs personal narrative with the public story of modern conflict, illustrating as it does, the importance of theatre as a force for ethical deliberation and social justice.
Verdi in Victorian London is required reading for both academics and opera aficionados. Music specialists will value a historical reconstruction that stems from a large body of first-hand source material, while Verdi lovers and Italian opera addicts will enjoy vivid analysis free from technical jargon. For students, scholars and plain readers alike, this book is an illuminating addition to the study of music reception.
Examining materials from early modern and contemporary North India and Pakistan, Tellings and Texts brings together seventeen first-rate papers on the relations between written and oral texts, their performance, and the musical traditions these performances have entailed. The contributions from some of the best scholars in the field cover a wide range of literary genres and social and cultural contexts across the region.
This book examines the nature of musical performance. In it, Dorottya Fabian explores the contributions and limitations of some of these approaches to performance, be they theoretical, cultural, historical, perceptual, or analytical. Through a detailed investigation of recent recordings of J. S. Bachâs Six Sonatas and Partitas for Solo Violin, she demonstrates that music performance functions as a complex dynamical system.
In the first full-length study of Shelleyâs plays in performance, Mulhallen provides a meticulously researched history of Shelleyâs role as a playwright and dramatist and a reassessment of his âcloset dramasâ as performable pieces of theatre. As well as discussing Shelleyâs stagecraft and analysing performances of his plays from the 1800s to today, the book also offers a detailed account of the theatrical scene of Shelleyâs time, including details of the productions Shelley himself saw. Mulhallen reveals Shelley as an extraordinarily talented playwright, whose fascination with contemporary theatrical theory and practice challenges the notion that he was a reluctant dramatist.
The Book of Judith has fascinated artists and authors for centuries, and is becoming a major field of research in its own right. This book is the first multidisciplinary collection to discuss representations of Judith through the centuries. Bringing together scholars from around the world, it transforms our understanding of Judithâs enduring story across a wide range of disciplines. The book includes sections on Judith in Christian, Jewish and secular textual traditions, and representations of Judith in art, music and theatre. It also includes new archival source studies, and translations of unpublished manuscripts and texts previously unavailable in English.