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This book provides a comprehensive history of music and liturgy at Worcester Cathedral, from its foundation in the seventh century to the mid-20th century. The author delves into how political shifts, public opinion, and national trends have influenced changes in the cathedral's practices over time, while also highlighting the distinct local dynamics at play.
Meta-Xenakis offers readers a comprehensive collection of insights into the history, works and legacy of Iannis Xenakis, one of the twentieth centuryâs most significant creative figures. It presents a transcontinental engagement with his life and output, focusing as much on the impact of the questions he posed as on the accomplishments of his body of work.
RÄgs Around the Clock is a rich and vibrant compendium for the discovery and study of North Indian classical music. The theory and practice of rÄg are explored through two interlinked resources: a handbook of essays and analyses offering technical, historical, cultural and aesthetic perspectives; and two online albums â RÄg samay cakra and Twilight RÄgs from North India â featuring khayÄl singer Vijay Rajput and accompanists.
The composer Sir James MacMillan has often referred to music as âthe most spiritual of the artsâ, and for many people, regardless of religious affiliation, this rings true. In listening to music, we are drawn to dimensions of human experience beyond the material. This collection brings together leading scholars from various disciplines â including Christian theology, musicology, and psychology and neuroscience â to interrogate the intimate relationship between music and spirituality.
This book features recent research on the psychology of music from the Western Balkans, foregrounding its specific topics, methods, and influences by bringing it into productive conversation with complementary research from Western Europe and further afield.
In only 50 years, from the 1870s to the early 1920s, Japanese people laid the foundations for the countryâs post-war rise as a musical as well as an economic power. Meanwhile, new types of popular song, fuelled by the growing global record industry, successfully blended inspiration from the West with musical characteristics perceived as Japanese.
This book contributes presenting examples of artistic research projects that are embedded within Higher Music Performance courses at universities and conservatoires across Europe.
This edited volume brings together contributions from a wide range of international academics and practitioners. It traces innovations within classical music practice, showing how these offer divergent visions for its future. The interdisciplinary contributions to the volume highlight the way contrasting ideas of the future can effect change in the present.
Music in Evolution and Evolution in Music by Steven Jan is a comprehensive account of the relationships between evolutionary theory and music. Examining the âevolutionary algorithmâ that drives biological and musical-cultural evolution, the book provides a distinctive commentary on how musicality and music can shed light on our understanding of Darwinâs famous theory -- and vice-versa.
Building on her earlier work, 'The Power of Music: A Research Synthesis of the Impact of Actively Making Music on the Intellectual, Social and Personal Development of Children and Young People', this volume by Susan Hallam and Evangelos Himonides is an important new resource in the field of music education, practice, and psychology.
This innovative work considers the notion of bel canto and the manner in which this vibrant tradition lives in the records of Luisa Tetrazzini (1871-1940), one of the most celebrated sopranos ever. Tetrazzini, whose discographic career includes about 120 recordings, belongs to that generation of inspirational performers who heralded the dawn of a new era of music appreciation, alongside such iconic figures as Enrico Caruso, Adelina Patti and Nellie Melba.
In A Philosophy of Cover Songs, P.D. Magnus demonstrates that philosophy provides a valuable toolbox for thinking about covers; in turn, the philosophy of cover songs illustrates some general points about philosophical method.
Este libro pionero examina el desarrollo de La Red de Escuelas de MĂșsica de MedellĂn, una red de 27 escuelas fundada en 1996 en la segunda ciudad principal de Colombia como respuesta a su reputaciĂłn como la ciudad mĂĄs peligrosa en la Tierra. Inspirada en El Sistema, el programa venezolano fundacional de educaciĂłn musical, La Red es, no obstante, notablemente diferente: su historia es una de mĂșltiples reinvenciones y de una bĂșsqueda continua para mejorar su oferta educativa y alcanzar mejor sus objetivos sociales. Sus reflexiones internas e intentos de transformaciĂłn arrojan luz valiosa sobre el pasado, el presente y el futuro de ASPM.
In Auld Lang Syne: A Song and its Culture, M. J. Grant explores the history of this iconic song, demonstrating how its association with ideas of fellowship, friendship and sociality has enabled it to become so significant for such a wide range of individuals and communities around the world.
How can we better understand the past, present and future of Social Action through Music (SATM)? This ground-breaking book examines the development of the Red de Escuelas de MĂșsica de MedellĂn (the Network of Music Schools of MedellĂn), a network of 27 schools founded in Colombiaâs second city in 1996 as a response to its reputation as the most dangerous city on Earth.
This kaleidoscopic collection reflects on the multifaceted world of classical music as it advances through the twenty-first century. With insights drawn from leading composers, performers, academics, journalists, and arts administrators, special focus is placed on classical musicâs defining traditions, challenges and contemporary scope.
In this fascinating collection of essays, an international group of scholars explores the sonic consequences of transcultural contact in the early modern period. They examine how cultural configurations of sound impacted communication, comprehension, and the categorisation of people. Addressing questions of identity, difference, sound, and subjectivity in global early modernity, these authors share the conviction that the body itself is the most intimate of contact zones, and that the culturally contingent systems by which sounds made sense could be foreign to early modern listeners and to present day scholars.
Through the theme of âannunciationsâ, this volume interrogates how, when, why, through and to whom God communicates in the Old and New Testaments. In doing so, it tackles the intimate relationship between Scriptural reflection and musical practice in the past, its present condition, and what the future might hold.
Since August 1969, the Woodstock Music and Art Fair looms large when recounting the history and impact of the baby boom generation and the societal upheavals of the Sixties. Scholars study the sociological, political, musical, and artistic impact of the event and use it as a cultural touchstone when exploring alternative perspectives or seeking clarity. This interdisciplinary annotated bibliography records the details of over 400 English-language resources on the Festival, including books, chapters, articles, websites, transcriptions and videos. Divided into six main subsectionsâCulture & Society, History, Biography, Music, Film, Arts & Literatureâfor ease of consultation Woodstock Scholarship sheds light on all facets of a key happening in our collective history.
Examining materials from early modern and contemporary North India and Pakistan, Tellings and Texts brings together seventeen first-rate papers on the relations between written and oral texts, their performance, and the musical traditions these performances have entailed. The contributions from some of the best scholars in the field cover a wide range of literary genres and social and cultural contexts across the region.
This book examines the nature of musical performance. In it, Dorottya Fabian explores the contributions and limitations of some of these approaches to performance, be they theoretical, cultural, historical, perceptual, or analytical. Through a detailed investigation of recent recordings of J. S. Bachâs Six Sonatas and Partitas for Solo Violin, she demonstrates that music performance functions as a complex dynamical system.